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\section*{SEQUENCER}
\subsection*{Grid recording mode}
\shortcut
{\keyboth{[RECORD]}}
{start/stop grid recording}
\shortcut
{\keyboth{[TRIG]}}
{insert note trig}
\shortcut
{\keyboth{[FUNC]}+\keyboth{[TRIG]}}
{insert lock trig}
\shortcut
{Hold \keyboth{[TRIG]}}
{edit trig}
\shortcut
{Hold \keyboth{[TRIG]}+\keyboth{[PAGE]}}
{edit all trigs on the page}
\shortcut
{Hold \keyboth{[TRIG]}+\keyboth{[TRK]}}
{edit all trigs on the track}
\shortcut
{\keyboth{[TRIG]}+\keyboth{[YES]}}
{preview trig}
\shortcut
{\keyboth{[TRIG]}+\keydtii{[PRESET/KIT]}\keystkt{[SONG]}}
{save trig as \cldtii{preset}/\clstkt{sound}}
\shortcut
{\keyboth{[FUNC]}+\keyboth{[LEFT]} or \keyboth{[RIGHT]}}
{shift all trigs left or right}
\shortcut
{\keyboth{[TRK]}+\keyboth{[TRIG]}}
{select track}
\shortcut
{\keyboth{[TRIG]}+\knob{LEVEL/DATA}}
{choose \cldtii{preset}/\clstkt{sound} for trig}
\shortcut
{\keyboth{[FUNC]}+\keyboth{[RECORD]}}
{copy the active track’s sequence}
\shortcut
{\keyboth{[FUNC]}+\keyboth{[STOP]}}
{paste the copied sequence to the active track}
\shortcut
{\keyboth{[FUNC]}+\keyboth{[PLAY]}}
{clear the active track’s sequence}
\shortcut
{\keyboth{[TRIG]}+\keyboth{[RECORD]}}
{copy one or more trigs including p-locks}
\shortcut
{\keyboth{[TRIG]}+\keyboth{[STOP]}}
{paste the copied trig(s)}
\shortcut
{\keyboth{[TRIG]}+\keyboth{[PLAY]}}
{clear the trig(s) p-locks}
\shortcut
{\keyboth{[PAGE]}+\keyboth{[RECORD]}}
{copy the active page}
\shortcut
{\keyboth{[PAGE]}+\keyboth{[STOP]}}
{paste the copied page to the active page}
\shortcut
{\keyboth{[PAGE]}+\keyboth{[PLAY]}}
{clear the active page}
\subsection*{Live recording mode}
\shortcut
{\keyboth{[RECORD]}+\keyboth{[PLAY]}}
{start live recording, toggle quantization}
\shortcut
{\keyboth{[PLAY]}}
{stop live recording, keep playing}
\shortcut
{\keyboth{[RECORD]}}
{switch to grid recording}
\shortcut
{\keyboth{[STOP]}}
{stop live recording and playing}
\shortcut
{\keyboth{[NO]}+\keyboth{[TRIG]}}
{while held, trigs are removed when reached}
\shortcut
{\keyboth{[NO]}+\knob{A-H}}
{while held, parameter locks are removed when reached}
\shortcut
{Hold \keystkt{[REC]}}
{apply parameter locks to existing trigs or create new}
\subsection*{Step recording mode}
\shortcut
{\keyboth{[RECORD]}+\keyboth{[STOP]}}
{start step recording, toggle standard/jump modes}
\shortcut
{\keyboth{[TRIG]} or \keyboth{[LEFT]} or \keyboth{[RIGHT]}}
{select active step}
\shortcut
{\keyboth{[FUNC]}+\keyboth{[TRIG]}}
{add note trig to active step}
\shortcut
{\keydtii{[KEYBOARD]}+\keydtii{[TRIG]} or \keystkt{[FUNC]}+\keystkt{[TRK]}, \keystkt{[FUNC]}+\keystkt{[TRIG]}}
{add chromatic note trig to active step}
\shortcut
{\keyboth{[TRK]}+\keyboth{[TRIG]}}
{select track}
\shortcut
{\keyboth{[NO]}}
{erase trig and move to next step}
\shortcut
{\keyboth{[RECORD]}}
{stop step recording}
\shortcut
{\keyboth{[PLAY]} or \keyboth{[STOP]}}
{listen while step recording}
\shortcut
{\keyboth{[FUNC]}+MIDI input}
{use \param{VEL} instead of input velocity}
\shortcut
{\keyboth{[YES]}+\keyboth{[TRIG]} or MIDI input}
{\param{LEN} according to input duration}
\subsection*{Parameter save and reload}
\shortcut
{\keyboth{[PARAMETER]}+\keyboth{[NO]}}
{reload all parameters on that page from saved state}
\shortcut
{\keyboth{[PARAMETER]}+\keyboth{[YES]}}
{randomize parameters on that page}
\shortcut
{\keyboth{[TRK]}+\keyboth{[TRIG]}+\keyboth{[NO]}}
{reload the track \cldtii{preset}/\clstkt{sound} from last saved state}
\subsection*{Copy, paste, clear}
\shortcut
{\keyboth{[FUNC]}+\keyboth{[RECORD]}}
{copy the active pattern}
\shortcut
{\keyboth{[FUNC]}+\keyboth{[STOP]}}
{paste the copied pattern to the active pattern}
\shortcut
{\keyboth{[FUNC]}+\keyboth{[PLAY]}}
{clear the active pattern}
\shortcut
{\keyboth{[PTN]}, \keyboth{[TRIG]}+\keyboth{[RECORD]}}
{copy selected pattern}
\shortcut
{\keyboth{[PTN]}, \keyboth{[TRIG]}+\keyboth{[STOP]}}
{paste copied pattern to selected pattern}
\shortcut
{\keyboth{[PTN]}, \keyboth{[TRIG]}+\keyboth{[PLAY]}}
{clear selected pattern}
\shortcut
{\keyboth{[TRK]}+\keyboth{[RECORD]}}
{copy the selected track’s \cldtii{preset}/\clstkt{sound}}
\shortcut
{\keyboth{[TRK]}+\keyboth{[STOP]}}
{paste the copied \cldtii{preset}/\clstkt{sound} to the selected track}
\shortcut
{\keyboth{[TRK]}+\keyboth{[PLAY]}}
{clear the selected track’s \cldtii{preset}/\clstkt{sound}}
\subsection*{Conditional locks}
\param{PRE}/\param{!PRE} is true and the trig plays if the most recently evaluated trig condition on the \textbf{same} track was true/false. \clfaded{PRE and !PRE conditions are not evaluated}\\
\param{NEI}/\param{!NEI} is true and the trig plays if the most recently evaluated trig condition on the \textbf{neighbor} track was true/false. \clfaded{Track n-1 is the neighbor of track n. The NEI condition is false if no conditional trigs exist on the neighbor track}\\
\param{1ST}/\param{!1ST} plays/does not play the first time the pattern plays (when looped)\\
\param{LST}/\param{!LST} plays/does not play the last time the pattern plays before changing to another pattern\\
\subsection*{FX track}
\shortcut
{\keystkt{[FX]}+\keystkt{[YES]}}
{manually trig the FX track}
\shortcut
{\keystkt{[FUNC]}+\keystkt{[FLTR]}}
{lock delay parameters}
\shortcut
{\keystkt{[FUNC]}+\keystkt{[AMP]}}
{lock reverb parameters}
\section*{PERFORMANCE}
\subsection*{Control all}
\shortcut
{\keyboth{[TRK]}+change parameter}
{affects parameter in all pattern tracks}
\shortcut
{\keyboth{[NO]} before releasing \keyboth{[TRK]}}
{revert}
\subsection*{Mute mode}
\shortcut
{\keyboth{[FUNC]}+\keyboth{[TRK]}}
{mute mode, toggle \textcolor{Chartreuse3}{global} and \textcolor{Orchid1}{pattern}}
\shortcut
{Hold \keyboth{[FUNC]}}
{prepare mute/unmute}
\subsection*{Pattern chaining}
\shortcut
{\keyboth{[PTN]}, \keyboth{[FUNC]}+\keyboth{[YES]}}
{chain wizard}
\shortcut
{\keyboth{[PTN]}+\keyboth{[TRIG]}, release \keyboth{[PTN]}, press next \keyboth{[TRIG]} while holding previous one}
{oldschool method}
\subsection*{Page looping}
\shortcut
{\keyboth{[RECORD]}, \keyboth{[PAGE]}+\keyboth{[TRIG \keydtii{9-16} \keystkt{9-12}]}}
{loop only the selected pages}
\shortcut
{\keyboth{[PAGE]}+\keyboth{[NO]}}
{back to normal}
\subsection*{Perform kit mode}
\shortcut
{\keydtii{[FUNC]}+\keydtii{[PRESET/KIT]}}
{toggle perform kit}
\shortcut
{\keydtii{[PRESET/KIT]}+\keydtii{[NO]}}
{reload the current pattern's kit}
\shortcut
{\keydtii{[PRESET/KIT]}+\keydtii{[YES]}}
{save the perform kit to the current pattern}
\subsection*{Fill mode}
\shortcut
{Hold \keyboth{[PAGE]}}
{play \param{FILL} trigs, skip \param{!FILL} trigs}
\shortcut
{\keyboth{[YES]}+\keyboth{[PAGE]}}
{latch fill mode for the next pattern}
\shortcut
{\keyboth{[PAGE]}+\keyboth{[YES]}, release \keyboth{[PAGE]}}
{latch fill mode indefinitely}
\shortcut
{\keyboth{[PAGE]}}
{unlatch fill mode}
\subsection*{Trig modifiers}
\shortcut
{\keystkt{[FUNC]}+\keystkt{[TRIG 13–16]}}
{select modifier}
\shortcut
{\param{TRIG} on, \keystkt{[TRIG 13–16]}}
{trigger active track with modifier}
\shortcut
{\param{TRIG} off, \keystkt{[TRIG 13–16]}+\keystkt{[TRIG 1-12]}}
{trigger selected track with modifier}
\section*{MISCELLANEOUS}
\subsection*{Keyboard}
\shortcut
{\keystkt{[FUNC]}+hold \keystkt{[TRK]}}
{keyboard setup menu}
\subsection*{Preview}
\shortcut
{\keyboth{[FUNC]}+\keyboth{[YES]}}
{preview the highlighted \cldtii{preset}/\clstkt{sound}}
\subsection*{LED backlight}
\shortcut
{\keyboth{[SETTINGS]}+\keyboth{[TRIG 1-3, 9]}}
{set LED backlight brightness}
|
