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authorEddy Pedroni <epedroni@pm.me>2026-03-08 16:22:43 +0100
committerEddy Pedroni <epedroni@pm.me>2026-03-08 16:22:43 +0100
commit61d91411dd1b4ef62e5ca58bb24fdfb6dce2ab8a (patch)
treeafa3eb287f24d76ada31177ce2ad356b3e7aa1d7
Initial commit, dt2/syn v1.0
-rw-r--r--.gitignore2
-rw-r--r--back.tex44
-rw-r--r--dt2-syn.log740
-rw-r--r--dt2-syn.pdfbin0 -> 849699 bytes
-rw-r--r--dt2-syn.tex71
-rw-r--r--dt2/dt2-audio-voice.pngbin0 -> 133169 bytes
-rw-r--r--dt2/dt2-compressor.pngbin0 -> 124922 bytes
-rw-r--r--dt2/dt2-global-fx.pngbin0 -> 90094 bytes
-rw-r--r--dt2/dt2-master-section.pngbin0 -> 176209 bytes
-rw-r--r--front.tex332
-rw-r--r--misc/lfo-trig-modes.pngbin0 -> 157673 bytes
-rw-r--r--syn/syn-analog-voice.pngbin0 -> 85635 bytes
-rw-r--r--syn/syn-digital-voice.pngbin0 -> 76500 bytes
-rw-r--r--syn/syn-global-fx.pngbin0 -> 111596 bytes
-rw-r--r--syn/syn-master-section.pngbin0 -> 96541 bytes
15 files changed, 1189 insertions, 0 deletions
diff --git a/.gitignore b/.gitignore
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--- /dev/null
+++ b/.gitignore
@@ -0,0 +1,2 @@
+*.aux
+*.synctex.gz
diff --git a/back.tex b/back.tex
new file mode 100644
index 0000000..bbd4f5b
--- /dev/null
+++ b/back.tex
@@ -0,0 +1,44 @@
+\section*{DIGITAKT II ARCHITECTURE}
+
+\vspace{5mm}
+
+\includegraphics[width=\columnwidth]{dt2/dt2-audio-voice.png}
+
+\vspace{10mm}
+
+\includegraphics[width=0.8\columnwidth]{dt2/dt2-global-fx.png}
+
+\vspace{10mm}
+
+\includegraphics[width=\columnwidth]{dt2/dt2-master-section.png}
+
+\vspace{10mm}
+
+\includegraphics[width=\columnwidth]{dt2/dt2-compressor.png}
+
+\columnbreak
+\section*{SYNTAKT ARCHITECTURE}
+
+\vspace{5mm}
+
+\includegraphics[width=\columnwidth]{syn/syn-digital-voice.png}
+
+\vspace{10mm}
+
+\includegraphics[width=\columnwidth]{syn/syn-analog-voice.png}
+
+\vspace{10mm}
+
+\includegraphics[width=0.6\columnwidth]{syn/syn-global-fx.png}
+
+\vspace{10mm}
+
+\includegraphics[width=\columnwidth]{syn/syn-master-section.png}
+
+
+\columnbreak
+\section*{MISCELLANEOUS}
+
+\vspace{5mm}
+
+\includegraphics[width=\columnwidth]{misc/lfo-trig-modes.png} \ No newline at end of file
diff --git a/dt2-syn.log b/dt2-syn.log
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+analog-voice.png> <./syn/syn-global-fx.png> <./syn/syn-master-section.png> <./m
+isc/lfo-trig-modes.png>] (./dt2-syn.aux (./front.aux) (./back.aux))
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+ ***********
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diff --git a/dt2-syn.pdf b/dt2-syn.pdf
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+\documentclass{article}
+
+\usepackage[
+ a4paper,
+ includehead,
+ headheight=12pt,
+ headsep=1mm,
+ landscape,
+ margin=0.8cm
+]{geometry}
+
+\usepackage{multicol}
+\setlength{\columnsep}{0.5cm}
+
+\usepackage{fancyhdr}
+\renewcommand{\headrulewidth}{0pt}
+
+\usepackage[x11names]{xcolor}
+
+\usepackage[skip=-10pt plus1pt]{parskip}
+
+\usepackage{titlesec}
+\titlespacing*{\section}{0pt}{-2pt}{0pt} % {<left>}{<before-sep>}{<after-sep>}
+\titlespacing*{\subsection}{0pt}{-6pt}{0pt}
+
+%\usepackage{noto}
+
+\usepackage{graphicx}
+
+\addtolength{\topmargin}{-0.4cm}
+\pagenumbering{gobble}
+\renewcommand{\familydefault}{\sfdefault}
+\raggedcolumns
+
+%% Styling
+% Layouts
+\newcommand{\shortcut}[2]{\small #1: \desc{#2}\\}
+
+% Colors
+\newcommand{\clboth}[1]{\textcolor{Green4}{#1}}
+\newcommand{\cldtii}[1]{\textcolor{DarkGoldenrod1}{#1}}
+\newcommand{\clstkt}[1]{\textcolor{VioletRed2}{#1}}
+\newcommand{\clparam}[1]{\textcolor{DarkOrchid4}{#1}}
+\newcommand{\clfaded}[1]{\textcolor{Snow4}{#1}}
+
+% Semantics
+\newcommand{\desc}[1]{\clfaded{#1}}
+\newcommand{\knob}[1]{\textit{#1}}
+\newcommand{\param}[1]{\textbf{\clparam{#1}}}
+\newcommand{\keyboth}[1]{\clboth{#1}}
+\newcommand{\keydtii}[1]{\cldtii{#1}}
+\newcommand{\keystkt}[1]{\clstkt{#1}}
+
+\begin{document}
+
+\pagestyle{fancy}
+\fancyhead[L]{\scshape Elektron Cheatsheet v1.0}
+\fancyhead[R]{\scshape Digitakt II OS1.15A – Syntakt OS1.30}
+
+\begin{multicols*}{3}
+
+\include{front.tex}
+
+\pagebreak
+
+\include{back.tex}
+
+
+\end{multicols*}
+
+\end{document} \ No newline at end of file
diff --git a/dt2/dt2-audio-voice.png b/dt2/dt2-audio-voice.png
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diff --git a/front.tex b/front.tex
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+\section*{SEQUENCER}
+\subsection*{Grid recording mode}
+
+\shortcut
+{\keyboth{[RECORD]}}
+{start/stop grid recording}
+
+\shortcut
+{\keyboth{[TRIG]}}
+{insert note trig}
+
+\shortcut
+{\keyboth{[FUNC]}+\keyboth{[TRIG]}}
+{insert lock trig}
+
+\shortcut
+{Hold \keyboth{[TRIG]}}
+{edit trig}
+
+\shortcut
+{\keyboth{[TRIG]}+\keyboth{[YES]}}
+{preview trig}
+
+\shortcut
+{\keyboth{[TRIG]}+\keydtii{[PRESET/KIT]}\keystkt{[SONG]}}
+{save trig as \cldtii{preset}/\clstkt{sound}}
+
+\shortcut
+{\keyboth{[FUNC]}+\keyboth{[LEFT]} or \keyboth{[RIGHT]}}
+{shift all trigs left or right}
+
+\shortcut
+{\keyboth{[TRK]}+\keyboth{[TRIG]}}
+{select track}
+
+\shortcut
+{\keyboth{[TRIG]}+\knob{LEVEL/DATA}}
+{choose \cldtii{preset}/\clstkt{sound} for trig}
+
+\shortcut
+{\keyboth{[FUNC]}+\keyboth{[RECORD]}}
+{copy the active track’s sequence}
+
+\shortcut
+{\keyboth{[FUNC]}+\keyboth{[STOP]}}
+{paste the copied sequence to the active track}
+
+\shortcut
+{\keyboth{[FUNC]}+\keyboth{[PLAY]}}
+{clear the active track’s sequence}
+
+\shortcut
+{\keyboth{[TRIG]}+\keyboth{[RECORD]}}
+{copy one or more trigs including p-locks}
+
+\shortcut
+{\keyboth{[TRIG]}+\keyboth{[STOP]}}
+{paste the copied trig(s)}
+
+\shortcut
+{\keyboth{[TRIG]}+\keyboth{[PLAY]}}
+{clear the trig(s) p-locks}
+
+\shortcut
+{\keyboth{[PAGE]}+\keyboth{[RECORD]}}
+{copy the active page}
+
+\shortcut
+{\keyboth{[PAGE]}+\keyboth{[STOP]}}
+{paste the copied page to the active page}
+
+\shortcut
+{\keyboth{[PAGE]}+\keyboth{[PLAY]}}
+{clear the active page}
+
+
+\subsection*{Live recording mode}
+
+\shortcut
+{\keyboth{[RECORD]}+\keyboth{[PLAY]}}
+{start live recording, toggle quantization}
+
+\shortcut
+{\keyboth{[PLAY]}}
+{stop live recording, keep playing}
+
+\shortcut
+{\keyboth{[RECORD]}}
+{switch to grid recording}
+
+\shortcut
+{\keyboth{[STOP]}}
+{stop live recording and playing}
+
+\shortcut
+{\keyboth{[NO]}+\keyboth{[TRIG]}}
+{while held, trigs are removed when reached}
+
+\shortcut
+{\keyboth{[NO]}+\knob{A-H}}
+{while held, parameter locks are removed when reached}
+
+
+\subsection*{Step recording mode}
+
+\shortcut
+{\keyboth{[RECORD]}+\keyboth{[STOP]}}
+{start step recording, toggle standard/jump modes}
+
+\shortcut
+{\keyboth{[TRIG]} or \keyboth{[LEFT]} or \keyboth{[RIGHT]}}
+{select active step}
+
+\shortcut
+{\keyboth{[FUNC]}+\keyboth{[TRIG]}}
+{add note trig to active step}
+
+\shortcut
+{\keydtii{[KEYBOARD]}+\keydtii{[TRIG]} or \keystkt{[FUNC]}+\keystkt{[TRK]}, \keystkt{[FUNC]}+\keystkt{[TRIG]}}
+{add chromatic note trig to active step}
+
+\shortcut
+{\keyboth{[TRK]}+\keyboth{[TRIG]}}
+{select track}
+
+\shortcut
+{\keyboth{[NO]}}
+{erase trig and move to next step}
+
+\shortcut
+{\keyboth{[RECORD]}}
+{stop step recording}
+
+\shortcut
+{\keyboth{[PLAY]} or \keyboth{[STOP]}}
+{listen while step recording}
+
+\shortcut
+{\keyboth{[FUNC]}+MIDI input}
+{use \param{VEL} parameter instead of input velocity}
+
+\shortcut
+{\keyboth{[YES]}+\keyboth{[TRIG]} or MIDI input}
+{\param{LEN} parameter according to input duration}
+
+
+\subsection*{Parameter save and reload}
+
+\shortcut
+{\keyboth{[PARAMETER]}+\keyboth{[NO]}}
+{reload all parameters on that page from saved state}
+
+\shortcut
+{\keyboth{[PARAMETER]}+\keyboth{[YES]}}
+{randomize parameters on that page}
+
+\shortcut
+{\keyboth{[TRK]}+\keyboth{[TRIG]}+\keyboth{[NO]}}
+{reload the track \cldtii{preset}/\clstkt{sound} from last saved state}
+
+\subsection*{Copy, paste, clear}
+\shortcut
+{\keyboth{[FUNC]}+\keyboth{[RECORD]}}
+{copy the active pattern}
+
+\shortcut
+{\keyboth{[FUNC]}+\keyboth{[STOP]}}
+{paste the copied pattern to the active pattern}
+
+\shortcut
+{\keyboth{[FUNC]}+\keyboth{[PLAY]}}
+{clear the active pattern}
+
+\shortcut
+{\keyboth{[PTN]}, \keyboth{[TRIG]}+\keyboth{[RECORD]}}
+{copy selected pattern}
+
+\shortcut
+{\keyboth{[PTN]}, \keyboth{[TRIG]}+\clstkt{hold} \keyboth{[STOP]}}
+{paste copied pattern to selected pattern}
+
+\shortcut
+{\keyboth{[PTN]}, \keyboth{[TRIG]}+\clstkt{hold} \keyboth{[PLAY]}}
+{clear selected pattern}
+
+\shortcut
+{\keyboth{[TRK]}+\keyboth{[RECORD]}}
+{copy the selected track’s \cldtii{preset}/\clstkt{sound}}
+
+\shortcut
+{\keyboth{[TRK]}+\keyboth{[STOP]}}
+{paste the copied \cldtii{preset}/\clstkt{sound} to the selected track}
+
+\shortcut
+{\keyboth{[TRK]}+\keyboth{[PLAY]}}
+{clear the selected track’s \cldtii{preset}/\clstkt{sound}}
+
+
+\subsection*{Conditional locks}
+
+\param{PRE}/\param{!PRE} is true and the trig plays if the most recently evaluated trig condition on the \textbf{same} track was true/false. \clfaded{PRE and !PRE conditions are not evaluated}\\
+
+\param{NEI}/\param{!NEI} is true and the trig plays if the most recently evaluated trig condition on the \textbf{neighbor} track was true/false. \clfaded{Track n-1 is the neighbor of track n. The NEI condition is false if no conditional trigs exist on the neighbor track}\\
+
+\param{1ST}/\param{!1ST} plays/does not play the first time the pattern plays (when looped)\\
+
+\param{LST}/\param{!LST} plays/does not play the last time the pattern plays before changing to another pattern\\
+
+\subsection*{FX track}
+
+\shortcut
+{\keystkt{[FX]}+\keystkt{[YES]}}
+{manually trig the FX track}
+
+\shortcut
+{\keystkt{[FUNC]}+\keystkt{[FLTR]}}
+{lock delay parameters}
+
+\shortcut
+{\keystkt{[FUNC]}+\keystkt{[AMP]}}
+{lock reverb parameters}
+
+
+\section*{PERFORMANCE}
+
+\subsection*{Control all}
+
+\shortcut
+{\keyboth{[TRK]}+change parameter}
+{affects parameter in all pattern tracks}
+
+\shortcut
+{\keyboth{[NO]} before releasing \keyboth{[TRK]}}
+{revert}
+
+
+\subsection*{Mute mode}
+
+\shortcut
+{\keyboth{[FUNC]}+\keyboth{[TRK]}}
+{mute mode, toggle \textcolor{Chartreuse3}{global} and \textcolor{Orchid1}{pattern}}
+
+\shortcut
+{Hold \keydtii{[FUNC]}}
+{prepare mute/unmute}
+
+
+\subsection*{Pattern chaining}
+
+\shortcut
+{\keydtii{[PTN]}, \keydtii{[FUNC]}+\keydtii{[YES]}}
+{chain wizard}
+
+\shortcut
+{\keyboth{[PTN]}+\keyboth{[TRIG]}, release \keyboth{[PTN]}, press next \keyboth{[TRIG]} while holding previous one}
+{oldschool method}
+
+
+\subsection*{Page looping}
+
+\shortcut
+{\keyboth{[RECORD]}, \keyboth{[PAGE]}+\keyboth{[TRIG \keydtii{9-16} \keystkt{9-12}]}}
+{loop only the selected pages}
+
+\shortcut
+{\keyboth{[PAGE]}+\keyboth{[NO]}}
+{back to normal}
+
+
+\subsection*{Perform kit mode}
+
+\shortcut
+{\keydtii{[FUNC]}+\keydtii{[PRESET/KIT]}}
+{toggle perform kit}
+
+\shortcut
+{\keydtii{[PRESET/KIT]}+\keydtii{[NO]}}
+{reload the current pattern's kit}
+
+\shortcut
+{\keydtii{[PRESET/KIT]}+\keydtii{[YES]}}
+{save the perform kit to the current pattern}
+
+
+\subsection*{Fill mode}
+
+\shortcut
+{Hold \keyboth{[PAGE]}}
+{play \param{FILL} trigs, skip \param{!FILL} trigs}
+
+\shortcut
+{\keyboth{[YES]}+\keyboth{[PAGE]}}
+{latch fill mode for the next pattern}
+
+\shortcut
+{\keyboth{[PAGE]}+\keyboth{[YES]}, release \keyboth{[PAGE]}}
+{latch fill mode indefinitely}
+
+\shortcut
+{\keyboth{[PAGE]}}
+{unlatch fill mode}
+
+
+\subsection*{Trig modifiers}
+
+\shortcut
+{\keystkt{[FUNC]}+\keystkt{[TRIG 13–16]}}
+{select modifier}
+
+\shortcut
+{\param{TRIG} on, \keystkt{[TRIG 13–16]}}
+{trigger active track with modifier}
+
+\shortcut
+{\param{TRIG} off, \keystkt{[TRIG 13–16]}+\keystkt{[TRIG 1-12]}}
+{trigger selected track with modifier}
+
+
+\section*{MISCELLANEOUS}
+
+\subsection*{Keyboard}
+
+\shortcut
+{\keystkt{[FUNC]}+hold \keystkt{[TRK]}}
+{keyboard setup menu}
+
+
+\subsection*{Preview}
+
+\shortcut
+{\keyboth{[FUNC]}+\keyboth{[YES]}}
+{preview the highlighted \cldtii{preset}/\clstkt{sound}} \ No newline at end of file
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