\section*{SEQUENCER} \subsection*{Grid recording mode} \shortcut {\keyboth{[RECORD]}} {start/stop grid recording} \shortcut {\keyboth{[TRIG]}} {insert note trig} \shortcut {\keyboth{[FUNC]}+\keyboth{[TRIG]}} {insert lock trig} \shortcut {Hold \keyboth{[TRIG]}} {edit trig} \shortcut {Hold \keyboth{[TRIG]}+\keyboth{[PAGE]}} {edit all trigs on the page} \shortcut {Hold \keyboth{[TRIG]}+\keyboth{[TRK]}} {edit all trigs on the track} \shortcut {\keyboth{[TRIG]}+\keyboth{[YES]}} {preview trig} \shortcut {\keyboth{[TRIG]}+\keydtii{[PRESET/KIT]}\keystkt{[SONG]}} {save trig as \cldtii{preset}/\clstkt{sound}} \shortcut {\keyboth{[FUNC]}+\keyboth{[LEFT]} or \keyboth{[RIGHT]}} {shift all trigs left or right} \shortcut {\keyboth{[TRK]}+\keyboth{[TRIG]}} {select track} \shortcut {\keyboth{[TRIG]}+\knob{LEVEL/DATA}} {choose \cldtii{preset}/\clstkt{sound} for trig} \shortcut {\keyboth{[FUNC]}+\keyboth{[RECORD]}} {copy the active track’s sequence} \shortcut {\keyboth{[FUNC]}+\keyboth{[STOP]}} {paste the copied sequence to the active track} \shortcut {\keyboth{[FUNC]}+\keyboth{[PLAY]}} {clear the active track’s sequence} \shortcut {\keyboth{[TRIG]}+\keyboth{[RECORD]}} {copy one or more trigs including p-locks} \shortcut {\keyboth{[TRIG]}+\keyboth{[STOP]}} {paste the copied trig(s)} \shortcut {\keyboth{[TRIG]}+\keyboth{[PLAY]}} {clear the trig(s) p-locks} \shortcut {\keyboth{[PAGE]}+\keyboth{[RECORD]}} {copy the active page} \shortcut {\keyboth{[PAGE]}+\keyboth{[STOP]}} {paste the copied page to the active page} \shortcut {\keyboth{[PAGE]}+\keyboth{[PLAY]}} {clear the active page} \subsection*{Live recording mode} \shortcut {\keyboth{[RECORD]}+\keyboth{[PLAY]}} {start live recording, toggle quantization} \shortcut {\keyboth{[PLAY]}} {stop live recording, keep playing} \shortcut {\keyboth{[RECORD]}} {switch to grid recording} \shortcut {\keyboth{[STOP]}} {stop live recording and playing} \shortcut {\keyboth{[NO]}+\keyboth{[TRIG]}} {while held, trigs are removed when reached} \shortcut {\keyboth{[NO]}+\knob{A-H}} {while held, parameter locks are removed when reached} \shortcut {Hold \keystkt{[REC]}} {apply parameter locks to existing trigs or create new} \subsection*{Step recording mode} \shortcut {\keyboth{[RECORD]}+\keyboth{[STOP]}} {start step recording, toggle standard/jump modes} \shortcut {\keyboth{[TRIG]} or \keyboth{[LEFT]} or \keyboth{[RIGHT]}} {select active step} \shortcut {\keyboth{[FUNC]}+\keyboth{[TRIG]}} {add note trig to active step} \shortcut {\keydtii{[KEYBOARD]}+\keydtii{[TRIG]} or \keystkt{[FUNC]}+\keystkt{[TRK]}, \keystkt{[FUNC]}+\keystkt{[TRIG]}} {add chromatic note trig to active step} \shortcut {\keyboth{[TRK]}+\keyboth{[TRIG]}} {select track} \shortcut {\keyboth{[NO]}} {erase trig and move to next step} \shortcut {\keyboth{[RECORD]}} {stop step recording} \shortcut {\keyboth{[PLAY]} or \keyboth{[STOP]}} {listen while step recording} \shortcut {\keyboth{[FUNC]}+MIDI input} {use \param{VEL} instead of input velocity} \shortcut {\keyboth{[YES]}+\keyboth{[TRIG]} or MIDI input} {\param{LEN} according to input duration} \subsection*{Parameter save and reload} \shortcut {\keyboth{[PARAMETER]}+\keyboth{[NO]}} {reload all parameters on that page from saved state} \shortcut {\keyboth{[PARAMETER]}+\keyboth{[YES]}} {randomize parameters on that page} \shortcut {\keyboth{[TRK]}+\keyboth{[TRIG]}+\keyboth{[NO]}} {reload the track \cldtii{preset}/\clstkt{sound} from last saved state} \subsection*{Copy, paste, clear} \shortcut {\keyboth{[FUNC]}+\keyboth{[RECORD]}} {copy the active pattern} \shortcut {\keyboth{[FUNC]}+\keyboth{[STOP]}} {paste the copied pattern to the active pattern} \shortcut {\keyboth{[FUNC]}+\keyboth{[PLAY]}} {clear the active pattern} \shortcut {\keyboth{[PTN]}, \keyboth{[TRIG]}+\keyboth{[RECORD]}} {copy selected pattern} \shortcut {\keyboth{[PTN]}, \keyboth{[TRIG]}+\keyboth{[STOP]}} {paste copied pattern to selected pattern} \shortcut {\keyboth{[PTN]}, \keyboth{[TRIG]}+\keyboth{[PLAY]}} {clear selected pattern} \shortcut {\keyboth{[TRK]}+\keyboth{[RECORD]}} {copy the selected track’s \cldtii{preset}/\clstkt{sound}} \shortcut {\keyboth{[TRK]}+\keyboth{[STOP]}} {paste the copied \cldtii{preset}/\clstkt{sound} to the selected track} \shortcut {\keyboth{[TRK]}+\keyboth{[PLAY]}} {clear the selected track’s \cldtii{preset}/\clstkt{sound}} \subsection*{Conditional locks} \param{PRE}/\param{!PRE} is true and the trig plays if the most recently evaluated trig condition on the \textbf{same} track was true/false. \clfaded{PRE and !PRE conditions are not evaluated}\\ \param{NEI}/\param{!NEI} is true and the trig plays if the most recently evaluated trig condition on the \textbf{neighbor} track was true/false. \clfaded{Track n-1 is the neighbor of track n. The NEI condition is false if no conditional trigs exist on the neighbor track}\\ \param{1ST}/\param{!1ST} plays/does not play the first time the pattern plays (when looped)\\ \param{LST}/\param{!LST} plays/does not play the last time the pattern plays before changing to another pattern\\ \subsection*{FX track} \shortcut {\keystkt{[FX]}+\keystkt{[YES]}} {manually trig the FX track} \shortcut {\keystkt{[FUNC]}+\keystkt{[FLTR]}} {lock delay parameters} \shortcut {\keystkt{[FUNC]}+\keystkt{[AMP]}} {lock reverb parameters} \section*{PERFORMANCE} \subsection*{Control all} \shortcut {\keyboth{[TRK]}+change parameter} {affects parameter in all pattern tracks} \shortcut {\keyboth{[NO]} before releasing \keyboth{[TRK]}} {revert} \subsection*{Mute mode} \shortcut {\keyboth{[FUNC]}+\keyboth{[TRK]}} {mute mode, toggle \textcolor{Chartreuse3}{global} and \textcolor{Orchid1}{pattern}} \shortcut {Hold \keyboth{[FUNC]}} {prepare mute/unmute} \subsection*{Pattern chaining} \shortcut {\keyboth{[PTN]}, \keyboth{[FUNC]}+\keyboth{[YES]}} {chain wizard} \shortcut {\keyboth{[PTN]}+\keyboth{[TRIG]}, release \keyboth{[PTN]}, press next \keyboth{[TRIG]} while holding previous one} {oldschool method} \subsection*{Page looping} \shortcut {\keyboth{[RECORD]}, \keyboth{[PAGE]}+\keyboth{[TRIG \keydtii{9-16} \keystkt{9-12}]}} {loop only the selected pages} \shortcut {\keyboth{[PAGE]}+\keyboth{[NO]}} {back to normal} \subsection*{Perform kit mode} \shortcut {\keydtii{[FUNC]}+\keydtii{[PRESET/KIT]}} {toggle perform kit} \shortcut {\keydtii{[PRESET/KIT]}+\keydtii{[NO]}} {reload the current pattern's kit} \shortcut {\keydtii{[PRESET/KIT]}+\keydtii{[YES]}} {save the perform kit to the current pattern} \subsection*{Fill mode} \shortcut {Hold \keyboth{[PAGE]}} {play \param{FILL} trigs, skip \param{!FILL} trigs} \shortcut {\keyboth{[YES]}+\keyboth{[PAGE]}} {latch fill mode for the next pattern} \shortcut {\keyboth{[PAGE]}+\keyboth{[YES]}, release \keyboth{[PAGE]}} {latch fill mode indefinitely} \shortcut {\keyboth{[PAGE]}} {unlatch fill mode} \subsection*{Trig modifiers} \shortcut {\keystkt{[FUNC]}+\keystkt{[TRIG 13–16]}} {select modifier} \shortcut {\param{TRIG} on, \keystkt{[TRIG 13–16]}} {trigger active track with modifier} \shortcut {\param{TRIG} off, \keystkt{[TRIG 13–16]}+\keystkt{[TRIG 1-12]}} {trigger selected track with modifier} \section*{MISCELLANEOUS} \subsection*{Keyboard} \shortcut {\keystkt{[FUNC]}+hold \keystkt{[TRK]}} {keyboard setup menu} \subsection*{Preview} \shortcut {\keyboth{[FUNC]}+\keyboth{[YES]}} {preview the highlighted \cldtii{preset}/\clstkt{sound}} \subsection*{LED backlight} \shortcut {\keyboth{[SETTINGS]}+\keyboth{[TRIG 1-3, 9]}} {set LED backlight brightness}